Conceptual Statement
Comparative Postcolonialities: Aesthetics, History, Locality
October 27-29, 2005, University of Pittsburgh
“Comparative Postcolonialities” will examine how
postcolonial scholarship can move beyond the political pessimism
that haunts both the discipline and our present political moment.
We think of “Comparative Postcolonialities” as seeking
a movement from a
postcolonial condition towards a future possible. Rethinking Postcolonial
Studies, thus, does not mean only critique; there has certainly
been much sustained and rigorous self-critique within the field.
More crucially, what is needed is a generative initiative about
how to proceed in the light of a radically different global context
from that which witnessed the rise of the discipline of Postcolonial
Studies in the U.S.
The conference will help rethink the approaches, emphases, and
methodologies of Postcolonial Studies by advancing a theoretically
nuanced comparative area studies. By facilitating a fuller comparatism,
we seek to alleviate the anglophone bias of much theory and criticism
in the field, and to ensure that theoretical generalizations about
globalization and postcoloniality are adequately grounded in specific
histories, regions, and languages. Moreover, we believe it is essential
to engage more fully with postcolonial theories and practices that
predate the institution of the discipline of Postcolonial Studies
in the U.S. and Europe. What have been the agendas and emphases
of such postcolonial studies that have emerged in sites other than
the U.S. and Europe?
The disciplines of History and a theoretically informed Comparative
Area Studies are particularly well placed to take into account
the discrepant histories of postcolonial studies. Despite and perhaps
because of its imbrication with imperialism, Anthropology is also
a significant disciplinary resource for our project, because of
its particular sensitivity to locality, its emphasis on cross-cultural
comparison, its theorizations and
interrogations of "culture," and its archive on non-western
and colonized cultures. Although we are aware of powerful existing
critiques and competing versions of Postcolonial Studies, Literary
and Cultural Studies, Language and Area Studies, Comparative Literature,
History, and Anthropology, we believe these disciplines house archives,
methods, and self-critiques that are integral to the study of postcolonial
cultures. The conference will therefore feature and build on productive
trends within them, thereby elaborating area-based and disciplinary
comparatisms. In short, under the rubric “Postcolonial Studies” are
several area-specific contents, agendas, strategies, and forms
of expertise about which we need to inform ourselves, both to ensure
a certain general literacy and to learn about possible resources
for our own areas that may have developed under a different rubric.
We hope that presentations will stage, rather than only name, the
methodological and substantive directions—in which they
would like to take the field.
The conference will include two keynote addresses; some area-focused
panels (Africa; Latin America and the Caribbean; Asia); and some
explicitly cross-regional comparatist panels (Continuing Colonialisms:
Ireland and Palestine; Postcolonial Visual Cultures). It will feature
a panel entitled “Emergent Areas in Postcolonial Studies” to
acknowledge that the “areas” that are commonly delineated
within Area Studies are neither pre-given
nor self-evident, and will explore the particular historical and
institutional negotiations a given “area” embodies.
This panel will also allow scholars to contemplate possible “areas” that
have not been represented in the conference and that might be conceptualized.
The Visual Culture panel will include art historians, filmmakers,
film theorists, curators, and performance theorists with various
areas of specialization.
We hope that our three days of dialogue and modeling of scholarship
will generate some new directions for the field. We will conclude
with an open discussion that focuses on new directions in Postcolonial
Studies, and will feature scholars specializing in different areas
and disciplines, address comparatism as a methodological cornerstone,
and shape the agenda of Postcolonial Studies by identifying specific
challenges, urgent topics, and modes of study for future work.
The conference also hopes to develop critical insights and methods
in dialogue with the many vibrant aesthetic practices from around
the postcolonial world. Featured at the conference will be a roundtable
of creative writers who work in several languages, English being
only one among them. We are also planning other performance events.
We seek a sustained dialogue amongst conference participants across
areas and disciplines; therefore there will be no concurrent panels. |